Something terrible happened to you in outer space. All you can remember are the last few moments, the sun fading to a speck as you and your crew broke free from the solar system, the ship’s systems suddenly shutting down, the panic and blackness inside, shouting and sobbing, outside the phosphorescent fringes of the wormhole as it opened up in front of you—and then you woke up, sweat-slick in your own bed at sunrise, with the birds singing outside, in another universe. You are trapped in the world of the popular TV astrophysicist Neil deGrasse Tyson, and you know this, because here the sunrise isn’t a sunrise at all.
In fact, the earth is a sphere orbiting the sun, so the sun does not in any sense actually ‘rise’—it’s just that you happen to be positioned right on the moving line, known as the ‘terminator’, that separates the illuminated portion of the planet from its dark side. And the birds singing aren’t really singing—actually, they’re just emitting a series of noises without any of the tonal qualities that distinguish singing from other vocal emissions. And the bed isn’t yours, because scientists have never been able to find any way of isolating ‘ownership’ in the physical composition of any object. You jump out of bed and start banging frantically at the walls. Is there no way out? Where are your crew? You rush to the window, and almost collapse in horror. It’s all there, spread out in front of you, exactly like home: everything is exactly the same, but in this sick parody of a universe it’s all been twisted into something hollow, meaningless, and mercilessly dull.
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Pink strands of cloud fizzle up from the horizon, and you know that actually the horizon is just the curvature of the earth, and that the clouds, which were once believed to be inhabited by angels, house nothing of the sort. A few people are already outside in the streets below you, jogging, going to work, but they’re not really people. Actually, they’re just apes of the family Hominidae, most closely related to the genus Pan, going about their ape-business, which remains primarily motivated by the ape-needs of food, shelter, and sex. There is nothing that isn’t instantly boring. It’s too much. You rush into the kitchen, rattling the drawer in sheer panic (actually just dyspnea, tachycardia and dilation of the pupils caused by a surge of epinephrine in your body), pull out the knife (actually just a piece of metal attached to a piece of wood), and open your wrists. The blood (which was once thought to be one of the four humours, governing personality traits, but which is actually primarily used to transmit oxygen) glugs out, darker in colour and slower than you’d expected. It’ll be over now, you think. But actually, you’re not dying: you’re just a collection of atoms, and every single one of those atoms will remain. Not only are you in this universe, this universe is in you.
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Neil deGrasse Tyson is, supposedly, an educator and a populariser of science; it’s his job to excite people about the mysteries of the universe, communicate information, and correct popular misconceptions. This is a noble, arduous, and thankless job, which might be why he doesn’t do it. What he actually does is make the universe boring, tell people things that they already know, and dispel misconceptions that nobody actually holds. In his TV appearances, puppeted by an invisible army of scriptwriters, this tendency is barely held in check, but in his lectures or on the internet it’s torrential; a seeping flood of grey goo, paring down the world to its driest, dullest, most colourless essentials. He likes to watch scifi films, and point out all the inaccuracies. Actually, lasers wouldn’t make any sound in space; actually a light year is a unit of space rather than time; actually, none of this is real, it’s just a collection of still images projected at speed to present the illusion of movement, and all the characters are just actors who have never really been into outer space. When the rapper B.o.B. started loudly declaring that there’s a vast conspiracy to hide that fact that the world is really flat, Neil deGrasse Tyson immediately jumped in to refute him, even featuring on a eye-stabbingly awful rap song insisting that ‘B.o.B. gotta know that the planet is a sphere, G’—a passionate, useless, and embarrassing defence of the blindingly obvious. In a world that’s simply given, brute fact, any attempt to imagine it into an entirely different shape must be stamped out. Why? The subject-matter is cosmic and transcendental, the object-cause is petty and stupid. Neil deGrasse Tyson strides onto stage to say that actually the Earth orbits the sun, that actually living beings gain their traits through evolutionary processes, that actually your hand has five fingers, that actually cows go moo, that actually poo comes out your bum—and you are then supposed to think yes, I knew that, and imagine someone else, someone who didn’t know it already, some idiot, and think: I’m better than that person, I’m so much smarter than everyone else.
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Which is not to say that there’s any requirement that these facts be true. None of this is real. Those multicoloured nebulae are not real objects, they exist only in fantastic pictures overlaid with Neil deGrasse Tyson’s face and some vague sentiments about how wonderful the universe is when it’s very far away from human life. The images are digitally stitched together, the colours are fake, the shapes are not anything that could actually be seen out the window of your spaceship, a real-life nebula is about as exciting as a damp fog. If you’re going to love the natural world, really Fucking Love it, it’s best that you know as little about it as possible, or it might start to seem less lovable. Like when Neil DeGrasse Tyson quipped that ‘if ever there were a species for which sex hurt, it surely went extinct long ago.’ It’s a perfect Tyson fact, true because it’s basically tautologous, its scientific quality having everything to do with the idea that actual phenomena are just instantiations of abstract laws, and nothing to do with any scientific observation, such as listening to the yelps of cats fucking at night, or to women. Or when his TV show Cosmos described the sixteeth-century astrologer Giordano Bruno as a martyr for science, executed by the Catholic church for proposing a heliocentric solar system. See how the idiots persecute us, the rational, with their superstition and their hostility to objective thought. The reality—that Bruno believed in magic, worshipped the ancient Egyptian god Thoth, and was executed not for heliocentrism but for denying the divinity of Christ—is ignored, because that isn’t Fucking Science Love. Or when he decided that ‘Italy valued cathedrals while Spain valued explorers. So worldwide, five times as many people speak Spanish than Italian.’ A spurious reconstruction of the past from present conditions, or the I Fucking Love Scientific theory of history: successful tribes were populated by little atavistic Carl Sagans; if Italians didn’t slaughter millions in the New World it isn’t because the peninsula was at the time fractured into multiple city-states (some of them occupied by, uh, Spain) which supplied significant amounts of capital rather than colonists, it’s because they weren’t interested in spaceships.
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